Vygandas "Vegas" Šimbelis, artist name – Das Vegas (Lithuania/Sweden), is a contemporary (media) artist and (PhD) researcher. With degrees in art from various art academies, he has achieved Licentiate of Arts and recently achieved a PhD at Royal Institute of Technology (KTH) in Stockholm, Sweden. Having experience in fine art and design, Vegas examines new territories and conducts research questioning the role of art (and artist) in relation to our contemporary society with its socio-political implications.

Interdisciplinarity is an overarching approach to Vegas work and it implies various significant artistic, scientific and technological resources. Decolonizing is the major theoretical and political framework of his work, in particular, in regard to technology with its failure processes, hacking, acceleration and disruption. Converging art and technology, eradicating the divisions between contemporary art and media arts, merging digital with analog, Vegas reflects the implications of the colonial exertion of rights and seeks for the humanization of technology.

With a major focus and regard to the post-digital, the artist is particularly interested in harnessing the hacking for humanizing of technology in its contiguity with and of its situatedness in the real world. In the following, Vegas explores norm-critical perspectives, conceptual ecosystem and design ideas to increase the perceived humanization of technology and re-examine the societal, political, and cultural discourses.


Vegas’ projects have been exhibited at more than 120 exhibitions from the start of his œuvre in 1996, including: MANIFESTA, Video_Brasil art festival, Istanbul Biennial, Tallinn Print Triennial, Barcelona Art Contemporary Festival, ClubTransmediale, FILE art festival, National Museum and Modern Museum in Stockholm, Contemporary Art Centre in Vilnius, INTRO art centre in Vilnius, Ctrl_Alt_Del Sound Art Festival, Piksel art festival in Bergen, etc.

Research has been presented in practical work, talks and publications (and proceedings) at ISEA, SIG-CHI, SIG-GRAPH, ACE, RIXC, Renewable Futures, 4S and EASST, EVA conferences.

His work has been funded by The Swedish Arts Grants Committee, Nordic Culture Point, Pro Helvetia, the Swiss Arts Council, British Council, Open Society Institute, Soros Foundation, PNEK- Production network for electronic art, the Lithuania Art Council, Ministry of Foreign Affairs of the Republic of Lithuania, and Ministry of Culture of the Republic of Lithuania, etc.


Resume 2017


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